Aficionado: a person who likes, knows about, and appreciates a usually fervently pursued interest or activity

I started buying and collecting music when I was 8 years old, a habit that still takes up most of my free time. Back in the day when the music you bought had a physical presence, going to a record store was my favorite activity. This was the place to spend most the entirety of my meager allowance on vinyl records. In those ancient times the record store was not just a means to pay for music, but a place to meet other music lovers who voiced their opinions about their likes and dislikes, talk to store owners who were versed with most of the music they carried, and browse endlessly through stacks of LPs in the bins. The store was were you learned about new music and socialized with fellow music aficionados, many of them introverts who you would not otherwise meet. In short – it was a place to socialize, with music driving the conversation. Back then there were no recommendation engines, no playlists and no blogs to spark your interest in music you were not familiar with. This blog, and its face on facebook, is an attempt to recreate that sort of engagement in today’s virtual world.

Music moves me, and I particularly respond to melodic and melancholic music as you will notice when you browse through the posts in this blog. My tastes are quite eclectic, with soft spots for the British folk scene of the late 1960s, acid folk, the classic era of Progressive Rock, jazz from the 1950s to the 1970s (bebop, post bop, cool, free, jazz/rock), classic blues and blues rock, lush orchestrations in popular songs, romantic and modern classical music, early music. As I said, eclectic. If the music was made primarily to fulfill an artistic urge rather than someone’s pocket, and is made with a high level of proficiency and skill, I’m all ears.

The posts in this blog are a journal of the musical pieces that left the most impression on me. As the cliché goes, this is the soundtrack of my life. There are thousands of those pieces that affected me at various stages in my life, so this is going to be a long process. As another cliché goes, it is all about the journey, not the destination. I hope that this blog informs you of music you may have not known about, or reminds you how great is the music you already know.

If you like the music articles I share here, you may also be interested in daily music recommendations I post on my blog page on facebook.


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25 responses to “About”

  1. thank you very much for your sharing, one of the most valued blogs on the net for me

  2. David Scherrep Avatar
    David Scherrep

    Sounds like me. I just don’t have a blog

    1. That’s why I have this blog. Enjoy it. You may also like the daily song recommendations on my facebook page https://www.facebook.com/musicaficionadoblog/

  3. Thank you, thank you very much I discovered this site today while trying to understand better Relayer, my favorite record. I learned a lot thanks to your explanations and enriched my understanding of this masterpiece. Next to Tarkus, Selling England by the Pound,Tales From topographic ocean, Animals, where have I known you before and cook, Relayer is my favorite.
    Thanks Again

    1. Hi Rafael, thank you for the compliments and glad you liked the article about Relayer. You may also be interested in other prog-related articles here: https://musicaficionado.blog/tag/prog/

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  5. Aamaing article! Thank you!

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  7. Hey I’m Kobe I am not really Kobe but this is how the Dictaphone spelled your name LOL. I am new to your log and website. I am 69 years old and a veteran keyboardist. I grew up with the folk music of my mother she was Macedonian. Also Chuck Berry, Elvis, The Beatles you know you were there. I got turned to Yusef Lateef, Miles Davis well you know Bebop, Soul jazz, Jazz Rock by my guitarist older brother. Thanks for contributing to my insatiable musical Journey please keep on keeping on

    1. Leon Thomas is an interesting lesser known Jazz Singer but well worth your time if you haven’t already found him. There are some avant-garde jazz musicians, Andrew Cyril, Cecil Taylor and others that they are connected with is a nice little diversion into the esoteric New York Jazz scene of the early sixties, might be a little too obscure for your taste

      1. Funny that you mention Leon Thomas. Currently working on an article discussing his contribution to a different group on artists. Coming soon.

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  16. […] In this epoch of streaming, Spotify orchestrates not just a playlist but an entire symphony of auditory experiences, with each note meticulously composed to resonate with the varied beats of life. It’s a symphony that caters to the audiophiles, the explorers, the sharers, and the curators. As listeners navigate this auditory odyssey, the echoes of Spotify’s offerings reverberate, presenting a harmonious blend of cost and features, each note meticulously composed to weave a resonant melody in the hearts of music aficionados. […]

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  20. I’ve been listening to Ommadawn by Mike Oldfield for years now, and it’s a piece that has continually revealed itself to me in new ways. With time, my connection to the music has deepened — it has touched me differently depending on the moment, the place, or my state of mind.

    More recently, I’ve found myself particularly moved by the section that begins around 12:25 and lasts until about 15:50 — the part with the voice and the drums. There’s something deeply emotional and powerful about it that leaves me with a question I haven’t been able to shake: Is there more music like this out there, or is this truly one of a kind?

    I’ve searched — and asked — and searched again. But I’ve never come across anything quite like it. That section, in particular, seems to come from a place that’s hard to define — it feels ancient and emotional, primal yet ethereal, and entirely unique. I’m starting to wonder: is this a deeply personal creation, something that was born entirely from Mike Oldfield’s own inner world? A work that resonates so strongly with some of us, but that wasn’t necessarily made for a mainstream audience?

    Or is there actually a musical lineage behind this — a tradition or style that Oldfield drew from, consciously or not — and which I might be able to explore further?

    This is why I’m reaching out. I’ve seen how passionate and sensitive you are when it comes to Mike Oldfield’s music, and I thought you might be the right person to ask. Do you think this moment in Ommadawn is a singular expression, or is it part of a broader musical world that I just haven’t discovered yet?

    I’d be deeply grateful for any insight or recommendations you might have.
    Thank you
    From Spain
    Nil-Edgar

    1. Hello Nil-Edgar, thank you for your thoughtful comment. That part of Ommadawn you are referring to is indeed unique, and it is difficult to find a singular style or piece of music similar to it. It draws from multiple cultures, like African drumming, Gaelic chants, and could potentially go farther into Nordic traditional music and Gregorian chants. Oldfield was definitely on a creative high at that time, and he continued exploring this style on Incantations. I found a similar vibe in the music for the TV series Outlander. Here is one example: https://www.youtube.com/watch?v=28_P3W40_ZY

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